Get the best of both worlds: the feel and response of analog pedals with the consistency and recall of digital modeling.

Many guitarists are discovering that the “analog vs digital” war is over — the winners are running both together intelligently.
Here’s exactly how I blend my favorite analog pedals with modern modelers for both studio and live work.
Analog pedals often output hotter signals than modelers expect. I keep analog dirt pedals at unity or slightly below so the modeler’s input isn’t clipping. I also use the modeler’s input pad or pad on the interface when needed. The goal is clean headroom into the modeler so the digital amp modeling behaves predictably.
Many analog dirt pedals have a midrange hump that can fight with modeler EQs. I often cut 200-400Hz slightly on the analog side or use the modeler’s global EQ to carve space. High-pass filtering before time-based effects (even inside the modeler) keeps everything tight.
Overdrives/Distortion/Fuzz: Usually best in front of the modeler (4CM send/return or simple front). Modulation: Can go in front or in the modeler’s effects loop depending on whether you want it before or after amp distortion. Delay/Reverb: Almost always after the modeler’s amp/cab sim for the most natural sound.
The most exciting tones right now live in the space between analog and digital. Learn to stage gain properly, use EQ thoughtfully, and you’ll get the best of both worlds in one rig.